Compositions music
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The film industry has become a multi-billion dollar business and transformed the commercial world of music composition. One area of modern music that they could not have dreamt of is perhaps that of film. This was not always the case over two centuries ago and there are many accounts of terrible performances of works that were beyond the capabilities of the instruments and in some cases, the players of the time. Their tuning is reliable, their tone focused and their action a delight to play on. Today’s instruments represent the pinnacle of technical perfection and craftmanship. What has also changed is the instruments themselves.Įven though there are many credible recreations of performances from the classical period on reproduced classical instruments, there were limits these classical players faced. This particular arrangement of players works for composer, performer and audience alike and I do not imagine it will vanish any time soon. Each of these established groups has stood the test of time. The difference is that whilst a Haydn orchestra might have been around 60 players, today’s orchestra can number double that. The familiar sound of key and cadence has all but vanished from many modern pieces and I suspect the work of Birtwistle, Boulez, Ligeti or Max Davies would bring an uncomfortable grimace to the faces of our famous classical composers.Ĭlassical ensembles groups like the orchestra, the string quartet and quintet, the choir are still very much the centrepieces of contemporary music writing. Modern music no longer always relies on the conventions of tonality and for some composers, a move towards total serialism has been favoured rendering the music deeply dissonant to classical ears. This is not only because the structure of the symphony has evolved but the harmonic palate has too. If you played symphony from the 21 st century to a renowned classical composer it is highly probable they would cover their ears in shock. These forms whilst still recognisable in the classical sense are radically different from their 18 th century great-great-great Grandfathers. Opera is alive and well, as is the concerto and the oratorio. Sonatas and symphonies are still composed. Many of the traditional musical forms that dominated the Classical Period still exist and are used today.
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Music has evolved over time and now in the 21 st Century, there are probably more genres and styles of music than at any other time in history. The degree to which this option stands open for today’s composers is a whole world away from Mozart. This idea of re-composing other people’s music is not new and Mozart himself devised an amusing ‘ dice game‘ for which he composed 300 individual strands of music that could all be arranged to create little pieces. The results are instant and can be convincing. There is no genuine composition involved other than the structure of what you create. It is perfectly possible to use pre-recorded material in a sequencing programme like Logic, Cubase or Garage Band and simply reassemble it into a piece of your own. Technology has also made the art of composition change radically. Modern Music Composition Vs Classical Music Composition It is tempting to wonder what early composers would make of the music today and how it is made. Technology has become increasingly cheap and the quality of computer-based sounds dramatically risen to the point that in the hands of a skilled technician, you are hard-pressed to tell the difference between the London Symphony Orchestra and a computer-generated performance. While the young Mozart honed his playing and performing skills on a harpsichord and wrote down his ideas on manuscript paper with a quill pen, today’s composer has everything available to them through a basic personal computer. Perhaps the greatest difference between contemporary composition and the world of the classical composer is technology. Modern Music Composition_Vs_Classical Music Composition